A Tourist’s Guide to Love

Movie

When Travel Reaches You First

Some films feel like postcards; others like immersive journeys. A Tourist’s Guide to Love is a fusion of the two. Although released quietly on Netflix in 2023, without the hype of a blockbuster, the film won the affection of many who know the sentiment of healing, moving on, and learning to trust the universe. This film is a travel romance, yes, but to many Indian viewers, particularly those who have had breakups, rebirths, and rediscoveries, it is a carrier of deeply intuitive emotions.

The peculiar charm of this film is in the real journeys, both physical and emotional, of the cast and crew, which shift in parallel to the cinematic tale. As they traveled to Vietnam, they underwent transformations, too, and their real journeys add magic to the film, making it feel less like fiction.

A Breakup, a Boarding Pass, and a Journey That Changes Everything

The film portrays Amanda Riley, a travel executive with a seemingly perfect life, but a sudden breakup disrupts it all. Heartbroken but determined to keep her head in the game, she takes on a flying assignment to Vietnam in to assess a tour operator she is thinking of acquire.

But Vietnam has other plans.

While in Vietnam, Amanda meets Sinh Thach, a guide with a philosophy of life that starkly contrasts with her own — that journeys should be felt, not planned. Amanda believes in itineraries and checklists, and structure. Sparks fly — lanterns glowing softly on a still river.

As Amanda continues her travels and starts going off the tourist maps for food and celebrations, she begins to delve deeper into her own essence. Sinh becomes her unexpected anchor, teaching her the value of unplanned journeys.

Similar to the Indian audience, and for the same cultural reason, the closeness of family, roadside food, ancient tales, and emotionally rich travel, the film resonated with the Indian audience. Emotional richness also fuelled the film’s gentle storytelling.

Behind and in front of the camera, a journey of self-reinvention for Rachael Leigh Cook

Rachael Leigh Cook plays Amanda, and in this film, she was not just the lead; she was the producer, which made this film a personal journey of self-reinvention for her.

Although Rachael starred in lots of early \textbf{2000s} classic films, such as \textit{She’s All That}, she eventually stepped away from acting in order to pursue other opportunities. In multiple interviews, Rachael discussed how she stepped away from acting to focus on other opportunities as she struggled with self-confidence, ageism, and the pressure to conform to societal standards. However, the production of \textit{A Tourist’s Guide to Love} allowed her to reclaim her story.

Rachael affirmed that her emotional connection with Amanda stemmed from her understanding that Amanda has lived half of her life in accordance with societal standards. While filming, several instances of Amanda’s emotional vulnerability merged with Rachael’s own life as she sought to again follow her instincts and rebuild her career.

One emotional moment that happened during filming was the breakup scene. Rachael requested to film this scene multiple times as she personally wanted the scene to feel real. She expressed that she wanted to be able to accurately portray people’s experiences with unexpected.

Scott Ly: The Unexpected Romantic Lead and Former Martial Artist

Scott Ly has received considerable traction for his portrayal of Sinh. He has impressed audiences who, due to primarily seeing him in martial arts and action roles, expected him to have a background in romance films and television.

To Scott’s surprise, Sinh required a different kind of emotional depth, such as softness and spontaneity, as well as a level of emotional authenticity that he did not think would have to be captured in the role.

Scott mentioned how this was the first time he got to portray a character who was not solely defined by their physicality, a departure from his previous roles. He fully leaned into his Vietnamese background, even living with local families to help him embody the character’s emotional depth and humor as well as to refine his understanding of the Vietnamese culture.

Scott’s ability to invoke charm and emotional depth is unparalleled. His onscreen chemistry with his co-star, Rachael, was not boisterous and dramatic, as is typically the case in the romance genre, but rather slow to develop, respectful of one another, and rooted in genuine affection, which is very characteristic of Indo-Canadian families.

Vietnam, the Quiet Leading Actress

Among the numerous aspects of the film, an especially important one was capturing the beauty of Vietnam. The film was then publicized on social media as a small travel ad. Locations that people searched for included:

  • Streets of Hoi An with lanterns
  • The busy and lively city of Saigon
  • Calm cruising on a river in the Mekong Delta
  • My Son Sanctuary, an ancient ruin full of history

The Vietnam film’s portrayal of family intimacy and community cohesion was nostalgic for many Indians. The film’s Tet celebration was reminiscent of Indian festivals in their color, fervor, emotions, and unity.

Little known to many,

The film incorporated the families and small business owners who operated in the areas being filmed for many scenes. Rachael said that many of the locals who were filmed and recorded speaking in the scenes were told to improvise because their reactions were so real and were kept in the movie.

What Viewers Did Not Appreciate While Watching

Amanda’s color choice of clothing for the scenes was shifted to represent her emotions. At the beginning of the movie, her clothing was very organized and structured. Amanda’s clothing then shifted to flowing colors as she emotionally started to let go.

Scott permitted Sinh to improvise many of his lines so that the conversations could illustrate a more real travel experience.

The kite flying scene was inspired by a memory from the director’s childhood. This director’s name is Steven Tsuchida.

Miss Le Thien is a real life legend of Vietnamese theatre; her portrayal of the grandmother character, Bà, is particularly notable as her real life struggles and quiet strength were a strong add to the performance.

We filmed a few transitions documentary style, capturing the realities of Vietnam: the scooters, the rain, the street music that comes and goes.

These things made the film feel personal, lived-in and real.

The Environment of the Release: Circulating Media, Quiet Fan Communities and Online Buzz

The film made its way to Netflix and in no time, critics called it “a warm bowl of comfort” and it was loved and dubbed as the film that every Indian viewer should watch on a Sunday evening with a cup of chai.

Since the film was also great in terms of tourism, travel influencers went crazy; romance lovers embraced the film for its healing energy and the film inspired many to build online communities to share their travel plans.

Although it was not a blockbuster, it was a heart-blockbuster, a film that did not shout, but stayed with you.

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